Spearheading the series was Archie Bunker, the cantankerous, crusty and altogether racist working man who, in the hands of actor Carroll O’ Connor, became one of TV comedy’s greatest creations and a beacon for both liberals and conservatives alike (those on the right were convinced he was espousing their values, while those on the left viewed him as a caricature of old world sentiments). He fancies himself a kind of guru, but is in fact a moron, and his interactions with his deadly serious underling Gareth are beyond delightful. Instead, the crew took everything in stride, washed down with a mug of lukewarm coffee.—Robert Ham, Years: 1993-2004 Cosby’s legacy might currently be in shambles, but the show was bigger than the man.—Josh Jackson, Years: 2003-present This is with good reason. Making a parody of the show Cops might seem like punching downward—how do you parody something that already seems like it’s one big joke? Reruns of the series helped legitimize TBS as a comedy network. In a way those shows were a prelude to Get a Life, which, 26 years later, is still one of the weirdest and most subversive sitcoms to ever air on a network. MeTV is the fifth-most watched cable network in America, following (in descending order) Fox News, MSNBC, CNN, and the home improvement/real estate nexus HGTV. Happy Endings could have—and should have—lasted far longer than three seasons, but sometimes the TV gods are cruel. But how many of these millions came over from Wagon Train? Its success may be the ultimate reminder that truly populist sitcoms are all about the characters and not necessarily the storylines. Starring Jemaine Clement and Bret McKenzie, the show is the story of an awful two-man band from New Zealand who have an incompetent manager (the wonderful Rhys Darby as Murray Hewitt) and literally one fan (the hilarious, obsessive Kristen Schaal) as they try to make it big in New York. Liberal working parents Steven (Michael Gross) and Elyse (Meredith Baxter) raised their three children—smart and conservative older brother Alex (Michael J. Amid all the irony, the series brought viewers the sweet romance of Jim and Pam, the not-so-sweet romance of Dwight and Angela and some terrific office shenanigans. Fox), flighty and fashionable middle child Mallory (Justine Bateman) and sarcastic younger sister Jennifer (Tina Yothers)—with love, compassion and limits. Andy assumes Mr. McBeevee is imaginary like the horse, but Opie is not inventing this man. Leave it to the Brits to find humor in World War I. Their marriage has survived the changes parenthood has brought because they’re a pretty solid team, with an us-against-the-boys mentality. It’s the last sitcom to get massive ratings, to build a huge, devoted audience who will absolutely watch the show whenever it’s on. But for every unknowingly selfish thing each person says, Veep’s ace-in-the-hole is Anna Chlumsky’s Amy, whose Olympic-level reaction faces land everyone else’s jokes. It hasn’t even aired 20 episodes yet. It also often dealt with social issues that The Cosby Show and other sitcoms at the time shied away from, and usually without the schmaltz you’d expect from “very special” sitcom episodes.—Garrett Martin, Years: 1960-1968 Newhart featured career work from Tom Poston, Julia Duffy and Peter Scolari, and its remote Vermont setting lead to the creation of three of the most memorable breakout sitcom characters of the 1980s: Larry, his brother Darryl, and his other brother Darryl. Do you think you're a true Griffith fan? Mr. McBeevee's easy to see, especially his hat. The mini third season—the “Heart of Archness” trilogy following Archer’s revenge on the man who killed his Russian love—made Archer one of the few story-driven animated series that actually delivers. It was consistently overlooked by the Emmy Awards, and viewership dwindled throughout the seasons. A lot of people, Martin Lawrence included, probably thought this would be the peak of the former stand-up’s career in comedy, but they were simply unaware that he would one day make Big Momma’s House. There was a little bit of our co-workers in every Office character.—Amy Amatangelo, Years: 1951-1957 I Love Lucy is one of the most iconic sitcoms of all time. Head of the IT department Jen Barber (Katherine Parkinson) really has no idea of what she’s doing and is convinced that typing “Google” into Google will “break the internet”. Combining the absurdity of competitive corporate culture with the absurdity of “getting weird” on the weekend couldn’t be more relatable to the average internet show binge-watcher, even if we’re not all bartering for clean urine on the playground. "Mr. McBeevee" is the Season 3 premiere episode of The Andy Griffith Show. How many television shows actually become part of the national conversation? Given Gilligan’s Island’s immense cultural footprint, it’s almost baffling to recall that the original show only lasted a sparse three seasons. (It’s still not officially cancelled, although David apparently is doubtful that it’ll return.) It might seem premature to put The Carmichael Show on this list. From November 2005 to the end of its run in June 2014, the series unquestionably earned its reputation as one of the most controversial and culturally significant pieces of modern American comedy through its unapologetic approach to blackness, painfully honest humor, and clever subversion of traditional cultural dialogue.—Abbey White, Years: 2009-present Archer has succeeded as a hilarious parody of both James Bond and Mad Men with the comedic sensibilities of FX’s best. Smith went on to become Hollywood elite, and the rest of the country learned to dance The Carlton. Mary Richards (Moore) remains iconic as the first single, career woman to ever be the subject of a television show. Season Two was full of surprising twists—like Archer’s breast cancer. The Wonder Years was filled with those kinds of revelations.—Jim Vorel, Years: 1974-1984 Happy Days had already literally jumped the shark before the Reagan era began. The central premise concerns Dave Lister, a slovenly crew member on the titular Red Dwarf spaceship, who is put into suspended animation as punishment and—after a catastrophic radiation leak—awakens millions of years later as the last surviving human. To be sure, the majority of those eyeballs are repeat customers.
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